The work introduces a new genre of senses, other ways of registering the world and is performed as a linguistic gradient from English to Danish Sign Language, from sound to silence and movement. Revisiting an always already disturbed nature experience, the impossibility of experiencing anything purely since all our sensory impressions are interpretations of that, which impresses itself on us. But instead of rejecting these impressions and their linguistic expressions as false I consider them natural phenomena in themselves. Like the nest-building, tool-using animals we are, we develop languages that suit us, as vibrant communicational prostheses. Ephemeral poetry technologies.